Thomas sanladerer 3d printing


Tom's 3D printing guides and reviews –

tomTips and Tricks

My “0.4mm nozzles are obsolete” video apparently left quite a few questions in need of answering, at least going by the comments on the video. So today, we’re going to look at whether you can maybe just stick with a 0.4mm nozzle and tell your slicer to pretend it’s a 0.6, how strength compares between nozzle sizes, and whether comparing 0.4 with an old slicer to 0.6 with a new one was even fair in the first place. I hope I didn’t hurt the nozzles’ feelings. So let’s start outContinue reading

tomTips and Tricks

The job of a Bowden tube is to guide the filament from the extruder into the hotend so that the extruder can drive the filament over here, but the actual pushing force happens at the hotend. If this printer didn’t have one, the filament would get pushed just the same, but the driving force wouldn’t be able to push it into the hotend. Makes sense, right? But not every 3D printer is a Bowden system, in fact, this guy isn’t, but I’m going to argue it’s still going to profitContinue reading

tomTips and Tricks

When you start a print, how do you decide what settings to use? Of course, parameters like the solid shell thickness or the infill percentage are something that needs to be decided on a print-by-print basis, but what I mean are the settings that, ideally you figure out once and then leave as a preset for future you. But what if those presets are wrong? What if you didn’t even tune those in yourself and use whatever the filament manufacturer suggests or stick with the presets that come with yourContinue reading

tomTips and Tricks

I´ve used dozens of different 3D printers over the years. They look like they’re machines that are made for vastly different jobs, based on how they’re built and what they’re capable of. But they all share one thing in common: A 0.4mm nozzle. And the nozzle is one of the core things that make a 3D printer work. But why is it always a 0.4mm bore? Surely with all the different applications these printers are made for, it can’t just be a one-size-fits-all choice. And you’re right, it’s not. Honestly,Continue reading

tomHardware Reviews

The eternal quest for that one bed surface that perfectly sticks while printing and completely releases when cold. Many have tried to find it, many have failed, but 3DQue have finally done it. Or at least that’s what they claim for the Quinly system, which promises to turn your humble 3D printer into a global-scale production unit by adding a network gateway that controls your printer and that you can use to queue up prints, a lift kit that angles your machine so that parts can slide off once they’reContinue reading

tomTips and Tricks

This is resonances, part 2. Last time we tried a bunch of approaches, from suspending the printer from the ceiling, bolting it to a concrete paver or sticking it onto some anti-vibration feet. And some of those worked, some didn’t, and my conclusion at the time was that you have to have some sort of dampening element in your setup for it to do anything – otherwise you’re just shifting around the excess energy that causes these vibrations instead of removing it from the system. So to test that theory,Continue reading

tomHardware Reviews

Resin printers, they’re pretty great, right? Well, they’re also mostly all the same, so I get that reviews of yet another Chitubox-based cookie cutter printer aren’t exactly interesting. So I tried to find one that was different – and that’s the Anycubic Photon M3 series. The Anycubic machines all use a custom ecosystem; this is the mid-size M3 Plus, they’ve also got the base M3, which uses a 4K masking LCD, this M3 Plus uses a 6K one and the M3 Max uses a 7K screen. The two larger machines,Continue reading

tomTips and Tricks

Getting rid of ringing artifacts is a bit more complex than it seems at first, but, good news, the solution that performed the best was also the simplest one. I tried four different setups, including bolting a concrete paver straight to the printer, and I want to share the results with you and I think I can even explain what’s happening in each one.  For these tests, I thought I’d use one of the machines I don’t usually grab, so I got the Steality Ender-3 v2 out of storage. ThisContinue reading

tom3D Printer Reviews

Before we start, I feel like I should point out that the Formlabs Form 3+ is 4400€ just by itself, making it the most expensive printer I’ve reviewed on the channel. It’s also using the most expensive consumables of any printer I’ve tested so far, and all this can make the Form 3+ seem like it’s a really bad deal compared to simpler printers that literally cost 1/10th as much to buy and run. I’m going to keep making comparisons throughout the review to some of those, but the thingContinue reading

My gear – Tom's 3D printing guides and reviews

Here’s the gear I use for all the video work, as originally mentioned in Behind the scenes and why I got fired! That list constantly changes but I’ll keep this page updates as things get shuffled around. Most of these links are affiliate links to the international Amazon sites, so if you buy them through these links, I may receive a referral bonus at no cost to you.

Cameras, lenses, memory cards

Main camera

Sony A7S III with a Sigma 24-70mm F2.8. It’s overkill, but it’s soooo good!

Additional cameras

Panasonic GH5 <- current main “B” camera
Panasonic G7  / G70 <- permanently set up for recording The Meltzone Podcast. The newer G80 / G90 are great budget choices, too, but more expensive.
Blackmagic BMPCC4K <- “A” camera for livestreams

Additional lenses

Laowa 60mm F2.8 Macro <- impressive macro shots on the Sony
Panasonic 10-25mm F1.7 <- expensive, but so versatile
Panasonic 25mm F1.7 <- great budget choice!
Samyang/Rokinon 12mm F2.0

Lenses: Honorable mentions

These are lenses that I used to have and have since upgraded from, but was still very happy with. Some are still in use e.g. for recording The Meltzone Podcast!

“Always on” lens: Panasonic 12-35mm F2.8 II
Showfloor and travel lens: Panasonic 8-18mm F2.8-4
Panasonic 14-140mm F3.5
Samyang/Rokinon 16mm F2.0 (with Canon EF to Micro 4/3 adapter)
Panasonic 42.5mm F1.2 <- Best lens to make Micro 4/3 look like full-frame

Memory Cards

For the Sony A7S III: 128GB Sony E-Series (also works in the higher compression settings in the BMPCC4K)
For the Panasonic cameras: 128GB and 256GB Samsung EVO Plus (microSD + Adapter) <- Cheap and fast enough for 4K60 in the GH5 (unlike some more expensive cards). They are too slow for 4K60 on the A7SIII or BMPCC4K, though.
For the Blackmagic: Samsung T5 SSD (500GB)

Camera accessories/mounts

Smallrig cage for the A7S III
Main tripod head: Manfrotto MVH502A
Main tripod legs: Walimex FT-9901 (equiv CowboyStudio)
Slider: Openbuilds-Based (purchased from RatRig) with generic ballhead. Motorized using Arduino!
Quick release plates: 70mm Andoer arca-swiss compatible, I use them sideways for easier operation
Quick release clamps: Various Andoer/Mengs arca-swiss compatible clamps
Various Smallrig magic arms – you can get these cheaper, but the Smallrig ones are the most affordable ones I found that actually work reliably. And whey they do work, they are truly magical!

Gimbal: Zhiyun Weebill Lab (the Weebill S seems to have replaced it). I don’t use it that often, but it can come in handy.

Travel tripod: Three Legged Thing Punks Patti
Travel monopod: Manfrotto Xpro 5-section with a ballhead

DIY teleprompter using a Laptop screen and a controller like this one.  I also made a video about the full build process of the exact setup I’m using!

Audio

Main microphone: Sennheiser MKE-600
Lavalier microphone, where needed: Rode Filmmaker kit
On-camera microphone: Rode VideoMicro
Showfloor microphone: Shure SM58-LC + Rode Newsshooter Kit (the standalone TX-XLR works with the same receivers as the Filmmaker Kit)
Podcast and voiceover microphone: Rode NT-USB
Editing headphones: Beyerdynamic DT 990 Pro

Livestreaming gear

Capture

For livestreaming, I use most of the same equipment as listed above, but all the cameras get connected into Blackmagic capture cards. I use one Blackmagic Quad HDMI Recorder and two additional Blackmagic Intensity Pro 4k.

Software / accessories

Unless you’re just doing a simple videogame stream, something like the Streamdeck is absolutely indispensable! They also make an app for your phone (which, unlike the physical Streamdeck, requires a subscription)
I use OBS Studio and can highly recommend it! Also, you can expand its functionality with plugins and scripts to whatever level you desire.

Livestreaming rig

CPU: AMD Ryzen Threadripper 1900X (8C/16T) <- 4K livestreaming needs tons of bandwidth (PCIe lanes), which no other platform can provide
CPU cooler: Noctua NH-U12S 
RAM: 64GB DDR4
GPU: Gainward Nvidia 1070Ti Phoenix
Mainboard: Asus Prime X399-A
OS: Genuine Windows 10 Pro

Lights

Lighting in the studio is takes care of with three Godox SL-60W + various Godox softboxes.
I also use a Falcon Eyes F7 and some older LED panels for additional lighting where needed.

Editing

Workstation

CPU: AMD Threadripper 3960X 24-core
RAM: 64GB Corsair Vengeance RGB
GPU: Nvidia RTX 3090
Mainboard: ASRock TRX40 Creator
SSD: WD Blue 2TB NVMe
Case: Be Quiet! Dark Base 900
Power supply: Seasonic Prime Titanium 850W
OS: Genuine Windows 10 Pro

Screens: Two LG 4K 27″ 27UD69

Input

Programmable or editing-specific input devices are super important for efficient editing. I use:

Razer Tartarus v2 as a keyboard replacement for my left hand + jog control on the wheel
Madcatz R. A.T. 8+ with some commonly-used functions on the additional button and timeline zoom on the side scroll wheel
Microsoft Designer Compact Keyboard as a TKL keyboard for extra mouse space

Card reader: Transcend TS-RDF8K

Storage

Storage: Synology DS1817, filled with Toshiba 8TB drives and an SSD for cache

What is the most durable material for 3D printing?

3DPrintStory