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Frank stella 3d printing
By Buying Frank Stella’s New NFTs, You Get the Rights to Print His Art – ARTnews.com
The Artist Rights Society, an organization that helps artists with copyright and licensing, is inaugurating a new Web3 platform. Titled Arsnl, it will launch on September 9 with a series of NFTs by Frank Stella.
Stella may be most widely known for his spare paintings of the 1950s and ’60s, which are considered forerunners to the Minimalist art movement. But the 86-year-old artist has previously used computers and 3D printing for large and complex sculptural works. According to Katarina Feder, Arnsl’s founder and ARS’s vice president, “NFTs were the natural next step” for Stella.
Stella is a longtime member of ARS, which Feder’s father, Theodore Feder, founded in 1987. Today, ARS represents the intellectual property rights of over 100,000 artists, aiding in copyright and licensing while also advocating for resale royalties for artists.
Stella has been dedicated to advocating for artists resale rights, campaigning for the the American Royalties Too (ART) Act for resale royalties along Theodore Feder and even lecturing law students on the subject. So the benefit of NFTs, which automatically send royalty payments to artists upon resale, was immediately apparent to him.
“NFTs are exciting,” Stella said in an email to ARTnews. “We can build in resale rights; that’s something we’ve worked, rather fruitlessly, on for decades. It will be wonderful if technology can give us what the government never would.”
When Feder sent out an email asking if ARS artists would like to participate in Arsnl, Stella’s team reached out right away. ARS and Stella began collaborating on a series titled “Geometries.” The 22 resulting NFTs are sleek, grey 3D objects which include some of recent Stella designs. The Geometries XXI (2022) NFT is clearly modeled after Stella’s Fat 12 Point Carbon Fiber Star (2016), a spheroid sculpture with 12 points. Each NFT in the series will be sold for $1,000 on the Arsnl site.
The NFTs are offered in editions of 100, and they come with an exciting perk: 3D printing instructions that only holders are have the right to use to make their own Stella sculpture.
Stella said that 3D printing allows for infinite reproducibility.
“It’s an affordable and flexible way to own a Stella,” said Feder. “If you want to spend $100 printing a small one for your desk of $100,000 printing it large for your lawn, you can do that.”
Stella decided to work with Arsnl because he believes the platform, given its ties with ARS, will be uniquely placed to serve artists.
“ARS has always been a really strong advocate for its members, and Arsnl is the same,” said Stella. “As a reflection of that, they’re very good about making sure that it’s the artist, not the platform, who comes out on top.”
Compared to other NFT platforms, Arsnl’s fee is quite high. Upon the primary sale of an NFT sold on their platform, a one-time fee of 25 percent is applied. That’s a significantly higher fee than the ones on NFT marketplaces like OpenSea or SuperRare, where fees range from 2.5 percent to 15 percent.
Arsnl’s resale royalties are set at 10 percent, which is consistent with what most marketplaces offer.
However, Arsnl’s fee covers “technical and legal expertise to help navigate the complex processes of NFT minting, promotion, and the licensing of artists’ intellectual property on the blockchain and digital spaces, as well as guidance to museums and corporations,” according to an Arsnl press release.
“This past year we’ve seen a few marketplaces begin to offer some aid in this department,” Feder said. “But for us, we have 35 years of licensing experience, real experience helping artists. I think that’s a unique position.”
Buy an NFT from Frank Stella and 3D print it
The Artist Rights Society launches an NFT sales platform
The Artist Rights Society is launching a new Web3 platform. This is a group that helps artists with copyright and licensing. It will be called Arsnl and will open on September 9 with a series of non-figurative works by Frank Stella. Stella may be best known for the simple paintings he made in the 1950s and 1960s, which are seen as precursors to the Minimalist art movement.
But the 86-year-old artist has made large and complicated sculptures in the past with the help of computers and 3D printing. Katarina Feder, the founder of Arnsl and vice president of ARS, said that NFTs were a natural next step for Stella.
ARS protects the intellectual property rights of more than 100,000 artists
Stella has been a member of ARS for a long time. It was started by Feder's father, Theodore Feder, in 1987. Today, ARS protects the intellectual property rights of more than 100,000 artists. It helps with copyright and licensing and fights for artists to get resale royalties. Stella has spent a lot of time fighting for artists' resale rights. She and Theodore Feder campaigned for the American Royalties Too (ART) Act for resale royalties, and Stella has even talked to law students about the issue. So the benefit of NFTs, which send automatic royalty payments to artists when their work is resold, was clear to him right away.
Stella and ARS started working together on a series called "Geometries"
When Feder sent out an email asking ARS artists if they wanted to be a part of Arsnl, Stella's team got in touch with Feder right away.
Stella and ARS began working together on a series called "Geometries." Some of the most recent Stella designs are among the 22 NFTs that were made as a result. The Geometries XXI (2022) NFT is clearly based on Stella's Fat 12 Point Carbon Fiber Star (2016), a spheroid sculpture with 12 points. On the Arsnl site, each NFT in the series will be sold for $1,000.
NFTs have an exciting bonus
The NFTs come in editions of 100 and come with an exciting bonus: instructions for 3D printing that only the owners can use to make their own Stella sculpture. Stella said that 3D printing makes it possible to make as many copies as you want. Feder said, "It's an easy and cheap way to own a Stella." "You can spend $100 to print a small one for your desk, or you can spend $100,000 to print a big one for your lawn."
Stella chose to work with Arsnl because he thinks that, because of its ties to ARS, the platform will be in a unique position to help artists. Stella said, "ARS has always been a strong supporter of its members, and Arsnl is the same.
" "As a result, they're very good at making sure that the artist, not the platform, wins."
Arsnl fees are quite high compared to other NFT platforms
The fee for Arsnl is quite high compared to other NFT platforms. When an NFT sold on their platform is sold for the first time, a one-time fee of 25% is charged. That's a much higher fee than the ones on NFT marketplaces like OpenSea or SuperRare, where fees range from 2.5% to 15%. The resale royalties for Arsnl are set at 10%, which is the same as what most markets offer. But Arsnl's fee includes "technical and legal expertise to help museums and corporations navigate the complex processes of NFT minting, promotion, and licensing of artists' intellectual property on the blockchain and in digital spaces," according to a press release from Arsnl.
Feder said, "We've seen a few marketplaces start to help in this area over the past year." "But we've been in the licensing business for 35 years and have helped artists in that time.
I think that's an interesting place to be."
Buy an NFT from Frank Stella and 3D print it.
Artists' Rights Society launches NFT sales platform
Artists' Rights Society launches new Web3 platform. This is a group that helps artists with copyright and licensing. It will be called Arsnl and will open on September 9 with a series of non-figurative works by Frank Stella. Stella may be best known for his simple paintings he painted in the 1950s and 1960s, which are considered precursors of the minimalist art movement. But the 86-year-old artist has created large and complex sculptures in the past using computers and 3D printing. Katarina Feder, founder of Arnsl and vice president of ARS, said NFTs were a natural next step for Stella.
ARS protects the intellectual property rights of over 100,000 artists.
Stella has been a member of the ARS for a long time. It was founded by Feder's father, Theodor Feder, in 1987. Today ARS protects the intellectual property rights of over 100,000 artists.
He helps with copyright and licensing and fights for artists to get resale royalties. Stella has spent a lot of time fighting for artists' resale rights. She and Theodore Feder advocated for the American Royalty Act (ART) for resale royalties, and Stella even talked to law students about the issue. So the benefit of NFTs, which send automatic royalty payments to artists when their work is resold, was immediately clear to him.
Stella and ARS have started a collaboration on a series called "Geometry".
When Feder sent out an email asking ARS artists if they would like to be part of Arsnl, Stella's team immediately contacted Feder. Stella and ARS started working together on a series called "Geometry". Some of Stella's latest developments are among the 22 NFTs created as a result. Geometries XXI (2022) NFT is clearly based on Stella's (2016) 12-pointed carbon fiber star, a 12-point spheroidal sculpture.
On the Arsnl website, each NFT in the series will sell for $1,000.
NFTs have an exciting bonus
NFTs are limited to 100 and have an exciting bonus: 3D printing instructions that only owners can use to create their own Stella sculpture. Stella said that 3D printing allows you to make as many copies as you want. Feder said: "This is an easy and cheap way to get Stella." "You can spend $100 to print a small image for your desk, or you can spend $100,000 to print a large lawn image."
Stella chose to work with Arsnl because he believes the platform will have a unique opportunity to help artists through its links with ARS. Stella said: "ARS has always strongly supported its members, and Arsnl is the same." “As a result, they are very good at making sure that the artist wins, not the platform.”
Arsnl fees are quite high compared to other NFT platforms.
Arsnl fees are quite high compared to other NFT platforms. When an NFT traded on their platform is sold for the first time, a one-time fee of 25% is charged.
This is much higher than NFT marketplaces such as OpenSea or SuperRare, where fees range from 2.5% to 15%. Arsnl resale royalties are set at 10%, which is in line with most markets. But Arsnl's board includes "technical and legal expertise to help museums and corporations navigate the complex processes of creating, promoting and licensing NFT artists' intellectual property on the blockchain and in digital spaces," Arsnl said in a press release.
Feder said, "We've seen several marketplaces start helping out in this area over the last year." “But we have been in the licensing business for 35 years and have helped artists in that time. I think it's an interesting place."
Frank Stella, Master of Abstract Expressionist Prints
Frank Stella, Master of Abstract Expressionist Prints
ArtWizard 11/18/2019
By and large, this is an eye, a hand, and if it's good, you feel the body. Most of the best material seems to be gesture, the totality of the artist's body; You can really rely on it.
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Frank Stella, born in 1936, is one of the most important post-war American artists. His striped work, monumental prints, and revolutionary approach to materials had a profound effect on the world of abstract art. His constantly evolving style, as well as the idiosyncratic and unique minimalism of his work in the late 1950s and early 60s, paved the way for maximalist color compositions later in his career. The artist is often considered a rule breaker. His approach to materials is limitless and combines all the different elements from automotive paint, cast aluminum, fiberglass and the latest 3D printing technologies.
Franck Stella making The Black Painting
Franck Stella is of Italian ancestry as his family comes from Sicily. The artist's father was a doctor, and his mother was an artistically inclined housewife who attended fashion school and painted landscapes. His father was quite influential and insisted that young Stella be aware of the importance of physical labor.
Stella's first experience in painting was drawing houses and boats at the behest of his father, which influenced his artistic career as he used these techniques and materials later in his work.
In her early teens, Stella developed a reputation for getting into fights. He attended the prestigious Phillips Academy where he once lost three teeth in a dorm room fight. His fiery temper, however, combined with a sharp mind, he later majored in history at Princeton University. During this period, he began to draw and make art.
Frank Stella, Princeton II, 1956
When I graduated at 19At 58, Stella moved to New York, stating, "I came here because it's a place where you can see the art that interests me - it's that simple." It was there that he encountered the work of the post-war Abstract Expressionists, including Jackson Pollock, and where he rented his first New York apartment. His early art was strongly influenced by the Abstract Expressionists.
The artist liked to comment that he "wouldn't have bothered to be an artist if I didn't like the artists of this generation so much." Stella was influenced not only by the works of Pollock, but also by the categorical works of Barnett Newman and the style of Jasper Johns. From the latter, Stella was inspired to use stripes in his paintings, which later became his trademark in most of his compositions.
Stella was one of the contemporary artists who pioneered the use of prints in his work. He began to get involved with them in the mid-1960s, working with stampmaker Kenneth Tyler, who convinced Stella to make her first prints by filling the "Magic Marker", which was the artist's drawing tool of choice, with lithography fluid. His abstract prints proved to be as innovative as his canvas work, using a wide range of techniques, including lithography, screen printing, etching and offset lithography. Printed by the Waddington Custot galleries, the series Illustrations after El Lissitzky and Had Gadya by the artist are an excellent example of Stella's diversity as an engraver.
His work combined hand-colouring with lithographic techniques, linoleum blocks and silk-screen printing, creating unique combinations and vision.
Frank Stella, Untitled, 1960
Stella's art greatly influenced his personal life. From 1958 to 1960, he lived in an attic with photographer Hollis Frampton and sculptor Carl André, and according to both testimonies, they "taught each other."
When he moved to New York, Stella was still painting at home to pay rent and continued to use a painter's brush and enamel to create his Black Paintings (1958-60).
Frank Stella, Point of Pines, 1959
Stella was a pioneer in his approach to canvases. The artist approached them in the same way as he approached the house, like a space that was filled with ever closer concentric lines. In his "Copper Pictures" 1960-61. Stella used the anti-shell paint he used last summer on the hull of his father's boat.
Named after the brand of household paint Stella used to create these works, Andy Warhol was so impressed with the Benjamin Moore series that he bought them all.
Frank Stella, Firuzabad, 1970
Stella's work is often referred to as "striped paintings", although the implied pattern is inaccurate. While working, the artist does not measure the lines, as many critics have suggested, but works by hand, deviating slightly from the ideal straight line with natural bows on a flexible stretched canvas.
Frank Stella, Lettre sur les sourds et muets I, 1974
Stella became famous as an artist at a very early age. His work was featured in an exhibition at the Museum of Modern Art (MoMA) before he was 25, and he had his first museum retrospective when he was only 34 years old, much younger than many artists who received the same honor. When the author was hospitalized for knee surgery, Stella took the opportunity not to take stock, but to create many drawings.
“I don't know how to draw in the sense of pure drawing. I need to move to the material stage as soon as possible,” he concluded.
Concerned about the dissonance between the drawn lines and the shape of the canvas, Stella began to remove parts of the paintings that seemed redundant. The earliest examples of this approach are his "Aluminum Paintings" (1960) and "Copper Paintings" (1960-1961), followed by works that expanded the concept of shaped canvas, including the irregular "Polygonal Canvases" (1965-67) and "Series transporters" (1967-71). Over the next decade, Stella brought relief to his art, describing his approach as "maximalist painting".
Literature has always influenced Stella's work. In 1983, Stella became a professor of poetry at Harvard University.
An example of the literature that influences his work is the fact that the names of Stella's works are also significant and unlike some other abstract artists, as they load his work with emotional meaning.
