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World of Warcraft 3D Print Models
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WoW category showcases characters and their inventory from the renowned MMORPG games, such as World of Warcraft, Runes of Magic, Age of Conan, TERA and others. If you are a fan of the Fantasy World to which these heroes belong, you will certainly like to have them all in your 3D models collection.
Now you have that chance! Go on and browse through the category and choose the character you are so attracted to.
WoW 3D printable models
The goal we want to address by introducing this category of models on our platform is to make interesting and highly powerful characters available in the real world, where you can touch them, play with them and even give them as a nice surprise to your beloved ones, who are familiar with the video game universe. Being one of the most subscribed MMORPG videog ames in the online realm, our designers do their best to create highly unique, true to the game figures.
They spend a lot of time researching, finding out what users’ expectations are and transfer what they learn into reality. These high definition 3D designs for printing are the perfect addition to your evenings with your friends. You can create together your own game script, inventing and completing quests and interactive missions.
Involve all your friends in the fantasy adventure, make them all envy the fun that you have with these amazing characters. Let your imagination go wild!
Our designers offer the possibility to choose from such characters, as humans, dwarves, orcs or trolls. They are all created to the highest accuracy of details. You will definitely enjoy and like the result.
Make Your Own Fantasy with 3D Printing Characters
Now you are able to dive into the mysterious world of magic and endless adventure with these outstanding figures. We have opened the door to the amazing and mesmerizing world of the fantasy video game so that you can step into it at every time of the day. And if you are one of those passion-crazy fans, these 3D print designs are exactly the thing that you’ve been waiting for so long.
Best 3D Printable Warcraft・Cults
Quel'Delar Mastermind Sword
3 €
Pedant Horde
0,50 €
Trophy of the Horde
1 €
Hearthstone token
0.
50 €
Keychain Horde
Free
DUROTANE BOOST, WORLD OF WARCRAFT 40 centimeters/pack of 14
Free
Front cover for Nasum mask
Free
DEATH KNIGHT GHOUL WORLD OF WARCRAFT
2.29 €
Lamp World of Warcraft
2,50 €
SILVANAS FIGURINE ACTION BJD SYSTEM
14.06 €
PENCH HOLDER WITH TAUREN TOTEM
2.11 €
Tauren wow
15 €
Warcraft - Alliance shield
50 € -thirty% 35 €
Headphone stand 3D model for 3D printing inspired by WarCraft 3D print model
2,50 €
TAUREN TOTEM WORLD OF WARCRAFT
0,87 €
World Of Warcraft Tottle (combat pet)
Free
Meeting Stone World of Warcraft
7.
42 €
Dwarf from Warcraft
Free
Deathwing
3 €
Smurf Illidan
2.12 €
Helmet of the Lich King from World of Warcraft for cosplay 3D printed model
25 €
World of Warcraft Lich King Full Armor for Cosplay 3D Printable Model
89 €
Warcraft-inspired building (6 stl files)
4.50 €
Murloc Cub (TinyFin)
Free
Orc castle for board games like World of Warcraft
3,50 €
Honor Hold inspired Stronghold for board games
4 €
Horns of Illidan / Cuernos de Illidan
1 €
Sword of Anduin/Craft Sword digital download
10.
24 €
LICH KING - ARTHAS - LICH LORD - WORLD OF WARCRAFT - ANIME/PLAYER CHARACTER
4,69 €
World of Warcraft Alliance Drink Coaster
Free
3D TWITCH logo multicolor (no MMU required, snaps on)
Free
MEDAL 2022 QATAR WORLD FOOTBALL CUP
Free
Horde and Alliance themed bottle caps
Free
WORLD OF WAR CRAFT - night lamp cover and tiles
1.17 €
World of warcraft classic totem
0.93 €
Mountain Giant Fortified
Free
Various forms and positions of druids
Free
Paladin Judgment and weapons
Free
NelfDK w/weps & artifacts
Free
Night Elf Bear Druid
Free
WoW guns
Free
Guardian Druid Artifact Forms
Free
Riflemen of the 7th Legion
Free
Griffin cub
Free
Furious Artifact Form
Free
MT Guardian Form - Rev 1
Free
Ancient War
Free
Dryad
Free
Is it worth watching "The Summer We Never Seen at All" in "Comedian's Shelter"?
About why respectable people (including deputies) suddenly began to try on kisei and imagine themselves as "smolyanki" - it is absolutely incomprehensible.
It’s not here, not in St. Petersburg, about fifteen years ago “La Funf in der Luft” flew over us (an outstanding performance by Alexander Galibin based on the play by Alexei Shipenko), not here Alexei Devotchenko, who has been playing “Epitaph” based on the texts of Limonov and Kibirov for a year, not in the "Baltic House" is still playing "Playing the victim" (a bad performance, I agree, but the cursing there does not become less distinct). They received it with gratitude. And then suddenly - alarmed.
No real reason. That is, not at all, because in the performance of the young director Andrei Korionov, there is little left of the Claudian obscenity. (In addition, the poster honestly warns about the presence of profanity and does not recommend the performance to viewers under the age of 18.) The panic seemed to subside by itself, as soon as it turned out that our purists did not wait for the boss's "go-ahead". The funnier - when the wave subsided - the performance itself turned out to be.
Innocent and unpretentious, like a Tyuz matinee.
The plot is like this. Pensioner Semyon Afanasyevich warmed up the homeless teenager Andryushka and made him an assistant in his difficult task. And Semyon Afanasyevich's business is interesting: he catches the homeless and other poor fellows, kills, dismembers the corpses and burns them in the oven, having previously poured sunflower oil on them. All this, of course, from ideological convictions. The main one is that Semyon Afanasyevich's wards "don't remember their summer". (That is, they have lost a sense of the fullness and meaningfulness of being - so about it.) A “good student” will not be slow to follow in the footsteps of a teacher - Andryushka, who has got the hang of it, remembering “his summer” (ravine, wind, in general, it was somehow good), kills a pensioner knife.
In the second act, the audience sees a group of teenagers relaxing: port wine, weed, oral sex. Andryushka, who has joined the rest, is left alone with the most unpromising subject in terms of memories of the “summer”, again uses the knife we already know.
A certain Sanya reminds Andryushka of some details of their joint long walk to the ravine - it was in the spring. Shocked by the fact that he himself does not remember “his summer”, Andryushka reaches for a knife. The light goes out.
This is if without a mat. But without a mat here, you see, it is difficult.
There are things that don't make sense in the play. The very formulation of the question: the characters suffering from the incompleteness of being, from the lack of “rules of life” established by that very happy “summer” is a classic (I apologize for the indecent word) alignment of Russian drama. There is also a “turn of the screw” (stylistically unexpected, the one that is able to make the play relevant): having interrupted the construction of three-story structures, the two characters, having met over a fresh corpse, do not even try to imitate the presence of emotions, calmly and exceptionally politely talking: “- Curious theory. “Yeah, yours is fine too.” Such are the gopniks.
Not doubting for a second that the dead person is just “ballast”, the theorists continue the dialogue: “Is this your dead weight? And should it be dropped? Or maybe it's too late? […] And f*ck… this ballast is not needed – drop it, don’t drop it?” Such grounds for post-apocalyptic tolerance (when one does not need one's neighbor, either alive or dead), of course, do not add optimism, but drama - why, quite, quite ...
However, this plot did not captivate director Korionov. He made one mistake, quite common in the production of the "new drama", which led to all the others. Tried to aestheticize the material. Decorate somehow. Here they listen to Donizetti, to the best of their ability they depict a modern dance, in the finale the heroine dresses in a white scarf, and the backdrop flutters with a white sail, in general, they indulge in sublime haze. The director called the genre of the performance “mystical dystopia” (which only testifies to the degree of his confusion), and he himself was not averse to playing guignol (the throat is cut visually here, with a fountain of blood, and the artist Zhdanov is good in his traditional genre), then he strives to fall into “conventionality” at all - a large stuffed animal took the place of a dismembered corpse (is it really a quote from Zakharov’s old performance “School for Emigrants”?).
