Lara croft 3d print


▷ tomb raider model 【 STLFinder 】

Tomb Raider 3d model

pinshape

Printable 3d model of Tomb Raider.  It is printable with Cura with Support settings set to 80 degree angle support, may work better without supports. Do not downscale as it will most likely destroy layers, upscaling works fine though. ... Always check...

Tomb Raider 3d model

thingiverse

Printable 3d model of Tomb Raider. The old versions (V1-3) didn't print correctly so I've uploaded a new version which is working now. It is printable with Cura with Support settings set to 80 degree angle support. May even work better without...

Tomb Raider 3d model

myminifactory

Printable 3d model of Tomb Raider. It is printable with Cura with Support settings set to 80 degree angle support. May even work better without support. Downscaling will most likely destroy layers, upscaling works fine though. ...Always check the layer...

Ice ax of tomb raider 3D model

cgtrader

Model dimensions: length – 750 mm width – 450 mm thickness – 41 mm Designed in Solid Works 2017, rendered in Keyshot 5.0.99. ...

Laura Croft from Tomb Raider 3D Model Low-poly 3D model

cgtrader

Low-poly model of the character Laura Croft. ...Ready for different kind of games.

Lara Croft - Tomb Raider 3D print model

cgtrader

Model based on the character of the video game Tomb Raider. Lara Croft. The model is divided into parts for FDM printing and two files for SLA printing. It contains a base to display. The model was resubmitted since it was corrupt. ...

tomb raider sculpt 3D model 3D model

cgtrader

This model was created with Zbrush highpoly sculpt model

Tomb raider keychain 3D print model

cgtrader

Tomb raider keychain 3D model printable file. I designed this for Tomb raider fans. This model can be used as a keychain by attaching a ring or as a necklace by attaching a chain. ... Polygons-2638 Vertices-2610 Nodes-483 Segments-129 Surfaces-2

Lara Croft Classic Character for Tomb Raider 3D Print Model

cults3d

Model based on the character of the video game Tomb Raider Lara Croft. The model is divided into parts and solid model . File Format: STL Triangles : 712.998 Vertices : 365.405 Please contact me for any further information. ...Thank you !!!

Tomb Raider: The Tomb Of Ishtah Free 3D model

cgtrader

So I could not resist by adding an extra element to my pyramid model and turn it into a possible Tomb Raider Game Cover. . A very old and long forgotten, ancient tomb lays buried under the desert of Cairo in Egypt. the tomb and temple of Ishtah, a...

TOMB RAIDER (with supports in the model)

prusaprinters

FIRST OF ALL: the model is not mine, I found the STL (probably a scan) on internet, I found it under many alias, so I do not put here any, if you recognize that it is yours, please let me know I put your name and link. It could be printed without any...

TOMB RAIDER (with supports in the model)

thingiverse

FIRST OF ALL: the model is not mine, I found the STL (probably a scan) on internet, I found it under many alias, so I do not put here any, if you recognize that it is yours, please let me know I put your name and link. It could be printed without...

tomb raider lara croft sculpt model Free 3D model

cgtrader

tomb raider 3d printable model fbx obj stl ztl highpoly sculpt zbrush 3D model Check out my profile to see the other cool models

Game Model - Tomb Raider Protector Beast Rhinoceros Statue 2

3docean

Game scene model low-modulus model, all models have materials, textures format format : 3DMax 2009 : OBJ : 3DS : FBX

Tomb Raider Lara Croft Gun Model and STL

cults3d

Hello, this 3D model is made completely by me for a grade project, and i'd like to share it with you all, it includes the full . fbx model and .stl parts for 3D Printing. ... I will use the earned money to buy a new 3D printer, since mine broke and I...

Tomb Raider 2018 3d model Alicia Vikander as Lara Croft Low-poly 3D model

cgtrader

Alicia Vikander as Tomb Raider, Lara Croft in the 2018 movie 3D model in T-pose. 531978 polys. Modelled meticulously after alot of reference material. The features are made to copy Alicia Vikander exactly. The clothing is matched thoroughly to copy...

Tomb Raider 2018 3D Model Lara Croft Alicia Vikander Textured 3D print model

cgtrader

Alicia Vikander as Lara Croft in the Tomb Raider 2018 movie. 3D printable. Parts checked in Netfabb. If you are a Lara Croft fan, archaeology or game and movies lover, this 3d model is for you. The model is sculpted to copy all the facial features...

Lara Croft Sexy Tomb Raider Action Figure 3D print model

cgtrader

... of the actress protagonist of her films, make her a amazing figure for your collection! Model already sliced ​​in several parts for easy printing. digitally painted image only for reference. ... STL/OBJ compatible with any 3d printing program

Ice Tool Axe from Tomb Raider 3D print model

cgtrader

An ice tool is a specialized elaboration of the modern ice axe (and often described broadly as an ice axe or technical axe), used in ice climbing, mostly for the more difficult configurations. [1][2][3] Ice tools are used two to a person for the...

Tomb Raider - Lara Crofts pendant 3D print model

cgtrader

This is an lifesize exact replica of Lara Croft's pendant seen in Rise of the Tomb Raider, Shadow of the Tomb Raider or the Tomb Raider Movie. The download includes both, the .obj and the .stl file. ...

Tomb Raider Ice Axe Low-poly 3D model

cgtrader

This is the weapon of the protagonist of the game Tomb Raider

Tomb Raider FIlm Belt Buckle 3D print model

cgtrader

Tomb Raider's belt buckle (2018 film version) Only one piece to 3d print

Tomb raider - Classic sexy Nevada rigged 3D model

cgtrader

Classic Nevada rigged model Tomb raider made in Blender 2. 8x with all parts are textured including normals. ...He also has a fully featured rig including face rig to make a easy animations.

Modified Remington R1 pistol from the game Tomb Raider 2013 3d print model

cults3d

... in one piece. Formats: .OBJ .STL .SAT .STEP .XB .XT .IGS .SLDPRT Model dimensions: length – 242 mm height – 173 mm width – 36 mm Useful links: http://www.imfdb.org/wiki/Tomb_Raider_(2013) Designed in Solid Works 2012, rendered in Keyshot 9.

Modified Remington R1 pistol from the game Rise of the Tomb Raider 2015 3D print model

cults3d

. .. in one piece. Formats: .OBJ .STL .SAT .STEP .XB .XT .IGS .SLDPRT Model dimensions: length – 258 mm height – 187 mm width – 36 mm Useful links: http://www.imfdb.org/wiki/Rise_of_the_Tomb_Raider Designed in Solid Works 2012, rendered in Keyshot 9.

Tomb Raider Protector Beast Rhinoceros Statue 2 3D model

cgtrader

High quality 3d models Plants A unique collection of plants can be used for exterior and interiors Formats included: *.max with materials and textures *.fbx .3ds.obj. ... 3Dmax 2012

Tomb Raider 3D Scene Work In Progress Free 3D model

cgtrader

This 3D model was originally created with Sketchup 8 and then converted to all other 3D formats. ...Native format is .skp 3dsmax scene is 3ds Max 2016 version, rendered with Vray 3.00 Tomb Raider 3D Scene - Work In Progress

Lara Croft Tomb Raider 3D printing ready stl obj formats 3D print model

cgtrader

CONDITIONS: PURCHASE, LEAVE POSITIVE FEEDBACK, CONTACT ME WHICH MODEL DO YOU WANT TO GET FOR 5$ NOTE THAT THIS OFFER DOES NOTE INCLUDE PACK PRODUCTS, ONLY SINGLE PRODUCTS Here is Lara Croft (Angelina Jolie) from Tomb Raider 3D model ready for 3D...

Jeep wrangler TRE4 game Tomb Raider 4 Low-poly 3D model

cgtrader

_A replica of the jeep present in the game tomb raider 4 the last revelation, the object was made to be used in games, it is ready to be animated, the pieces that must be moved are separated, and the object already comes with the hierarchy settings.

Lara Croft Tomb Raider Jolie ready for full color 3D printing 3D print model

cgtrader

CONDITIONS: PURCHASE, LEAVE POSITIVE FEEDBACK, CONTACT ME WHICH MODEL DO YOU WANT TO GET FOR 5$ NOTE THAT THIS OFFER DOES NOTE INCLUDE PACK PRODUCTS, ONLY SINGLE PRODUCTS Here is Lara Croft (Angelina Jolie) from Tomb Raider 3D model ready for full...

Crafting Lara Croft: How Wētā Workshop used 3D printing to bring Lara to life

When this (slightly) Lara Croft-obsessed Editor caught wind of a new collectable being developed to celebrate Tomb Raider’s 25th anniversary, the second most immediate thought after ‘I’ve got to have one of those’ was, ‘Surely, they used 3D printing somewhere?’

Sure enough, in a short video from renowned special effects and prop company Wētā Workshop showing the development of the 1⁄4 scale statue titled ‘Lara Croft The Lost Valley’, Senior 3D Printer Operator David Duke explained how the technology was used to bring this dynamic model of the iconic video game adventurer to life. Speaking to TCT, Duke shared how his role within Wētā Workshop collectibles segment functions as a “translator from digital to physical”, working with in-house sculptors, model making and moulding/casting teams to figure out how a digital 3D asset can be broken down into pieces for manufacturing and assembly, layout the build platforms to get the best print results, and deliver precise representations of the artists' original sculpture. Here, Duke (DD) talks us through the development process, the tools used and where 3D printing makes sense.

TCT: Can you talk about how long Wētā Workshop has been using 3D printing for model making and what machines you’re currently using? Is there any 3D scanning involved?

DD: We have been utilising 3D printing since before I arrived at Wētā Workshop back in 2009 but it's only been an integral part of our pipeline since about 2013. That’s when we got our first reliable in-house machine. Before that we were using a lot more hand-crafted and subtractive manufacturing techniques and only outsourcing parts for 3D printing if it was necessary. But once we got our in-house machine, which was a Stratasys Eden 350V - it changed our manufacturing pipeline completely. Now we run a large range of 3D printers - mostly SLA and FDM. For our Masters Collection editions, we use pretty much exclusively Formlabs printers of which we have Form 2s, Form 3s and Form 3Ls for different purposes. We have scanning available and use it when we need to capture an element off a sculpture or a hero prop. But mostly, if the collectible is being sculpted digitally, we'll be using digital assets that we produce or are given to us by the client.

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The 3D model is broken down into suitable pieces for manufacturing and assembly. 

TCT: Can you talk about the inspiration behind the Lara Croft The Lost Valley design? How did you move from initial sketches to 3D?

DD: The initial concept sketches came from our senior designer Gus Hunter, who experimented with a variety of poses and compositions. From there, Yorke Yu, one of our sculptors, created rough 3D sketches of the strongest pose options. These were then workshopped by our lead sculptor Gary Hunt, Richard Taylor (Creative Lead and Co-Owner of Wētā Workshop), and the team to work out the best overall composition. From there, Gary started on what would become the final high-resolution collectible, working out finer details like the muscle definition and fabric folds.

TCT: Can you talk us through how 3D printing was used in the development process?

DD: Generally, if we're starting off with digital assets it makes the most sense to continue to sculpt that collectible digitally. And if we're sculpting it digitally, then we know from the beginning that the result will be printed. Both 3D sculpting and hand sculpting have their advantages. And I guess on the 3D side those advantages would be having more control over really fine details and the ability to make quick changes. Many times, characters will have specific texture that is applied to their costume and in a digital pipeline, you can dial those textures up and down as necessary just with a slider. While sculpting is taking place, we usually print texture tests of different parts to make sure the texture is reading properly in the final print. And from an engineering standpoint, working with a 3D model allows us to figure out things like where the armature will sit inside the sculpture, make changes to it quickly if any issues come up, and have it be made at the same time the collectible is being printed. There's also an advantage to being able to see inside the sculpture and having control over how much it will be hollowed out to save on weight - something that is important when you have a character leaping in the air.

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Senior 3D Printer Operator David Duke removes a batch of 3D printed prototype parts from a Form 3L.

TCT: It’s a large statue with a lot of detail – were there any challenges in engineering the design to ensure it worked?

DD: The whole piece was a big challenge! Not just because of the scale and amount of detail but also because of the gravity-defying nature of the pose. Suspending one character off another character with minimal points of contact is only possible with some clever engineering. Luckily, we have many minds to figure out these kinds of things. It was a big collaboration across sculpting, printing, model making and moulding/casting to ensure we not only captured the dynamism of the sculpture, but that it was also structural and easy to assemble.

We used lots of big block keys for supporting the characters - basically as big as possible without being noticeable. The piece is 1/4 scale and at the time we didn't have our large format Form 3L printers, so it was a major challenge to cut the model into pieces that were small enough to fit on our printers. In total there ended up being 65 different parts that had to be printed and assembled in model making - with the joins and seam lines for each of those parts needing to be figured out and hidden away.

TCT: How long was the overall development process for this piece?

DD: From concept to final painted prototypes, around 2,800 hours over a 10-month period.

TCT: Can you share how 3D technologies are being leveraged alongside more traditional processes? Where do more traditional methods make sense?

DD: There are a variety of factors which determine whether a collectible is hand-sculpted or created with 3D modelling; time constraints, asset availability, and the artist's schedule are just a few. 3D modelling has a much more involved pipeline with more intermediate steps - for instance, once a collectible is approved a common misconception is that it goes right to the printer. In reality, there is still a lot of work that needs to be done to prepare that model to exist in reality - all the interactions of its parts need to be assessed and subtracted from one another, those parts need to be hollowed and keyed so they will re-assemble correctly once they are off the printer. There is a lot that goes in before you hit print, not to mention the work that goes into cleaning up those prints to a standard acceptable for moulding and casting once they are off the printer. Traditional sculpting bypasses many of those steps - once the sculpture is approved it goes directly to moulding and casting. However, if a last minute scale change is asked for - that's a lot harder to do that in a physical sculpture than in 3D, so there are trade-offs with each.

If we're starting with 3D assets then it makes the most sense in terms of time to incorporate those assets into a 3D model. It also means we have a higher chance of getting talent approval if we have used scan data of the actual person or model.

But a lot of times we'll use an amalgamation of both methods. It's more about using the strengths of each method rather than choosing one over another.

TCT: Given the low volumes of such collectables – 950 in this case – is Wētā Workshop exploring 3D printing for final products or is it primarily a prototyping tool?

DD: We primarily use it as a tool for prototyping. Even at low volumes of production runs, 3D printing isn't really viable yet for output of final product for a variety of reasons. The durability of the 3D printed resins still doesn't match that of castable resins, plus it's much more expensive. But probably the biggest point of difference is the speed of production. It's much faster to create a mould for an object and cast out of it over and over (and a lot more reliable too) than it is to wait hours or sometimes days for just one part to be printed. Until printing gets much faster and more reliable, I don't see it being used to replace moulding/casting for final manufacture.


Want to discuss? Join the conversation on the Additive Manufacturing Global Community Discord.  

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