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3D Printing & Additive Manufacturing conference | 3D Printing & Additive Manufacturing conference 2022 | 3D Printing & Additive Manufacturing

Sessions

Important Dates

  • Abstract Submission Deadline
    21st October, 2022
  • First Call Registration
    22nd October, 2022
  • Final Call Registration
    07th November, 2022

3D Printing Conference 2022

3D Printing or Additive Manufacturing is the procedure of creating three dimensional solid substances from a digital file. The formation of a 3D printed object is attained using additive processes. In an additive procedure an object is shaped by laying down successive layers of material up to the object is created.

3D Printing allows easy fabrication of multifaceted shapes, many of which cannot be shaped by any other manufacturing method. The additive nature of the expertise means that geometric complication does not come at a higher price.

We Coalesce Research Group provide an amazing chance to communicate with world-class scientists, Astronauts and experts at 7th European Congress on 3D Printing & Additive Manufacturing on November 07-08, 2022 at Paris, France.

The 2-Day conference with the theme of “Future innovations and magnifying discoveries in the field of 3D printing” will bring scientists, researchers and students together at 7th European Congress on 3D Printing & Additive Manufacturing from all over the world.

Why to Attend?

  • To transmit current issues and advances of your latest research.
  • For Thought-provoking speeches by Scientists, Professors, Ph.D.'s and Young Researchers.
  • For Network development with Academic and Business Professionals

Advantages of conference:

  • Opportunity to connect with the hosts and fellow attendees
  • Wider reach to across the world
  • Reach the target the group directly and exchange the views of each other

Who can take part?

  • Scientists
  • Doctors
  • Researchers
  • Professors
  • Students
  • Delegates

Why to Attend our Conference?

This Conference provides unique networking and collaboration opportunity to promote your merchandise and gain your brand recognition and credibleness. It delivers cutting-edge analysis on research in association with the intimate setting where attendees and exhibitors receive customized client service.

Sponsors and exhibitors will benefit from great foot-traffic and generous recognition.

3D Printing Conference 2022 enables you to reach a wider audience from all over the globe. Join us as a Sponsor and avail the following benefits:

  • Raise your brand awareness and create preference
  • Advertise your range of products and services
  • Build brand positioning through associative imagery
  • A sales promotion campaign

Organizing Committee

Andreas Heinrich

Aalen University

Germany

Richard (Chunhui) Yang

Western Sydney University

Australia

Nima Shamsaei

Auburn University

USA

Mark J. Jackson

Kansas State University

USA

View all

Renowned Speakers

Andreas Heinrich

Aalen University

Germany

Javaid Butt

Anglia Ruskin University

United kingdom

Alex M.
Greenberg

Columbia University

USA

Alexander Katz-Demyanetz

Technion - Israel Institute of Technology

Israel

View all

Media Partners/Collaboration

3D printing to feature at Paris Fashion Week 2022 with reinvented ROCIO handbag

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3D printing will once again return to the Paris Fashion Week catwalk this year in the form of a reinvented signature ROCIO handbag.

The handbag was created off the back of a research and development project between ROCIO, a Scottish luxury eco-fashion brand, and the National Manufacturing Institute Scotland (NMIS), to explore more sustainable manufacturing techniques for the brand’s handbags. 

“A core aim of NMIS is to engage with and support SMEs to facilitate a positive impact on the local economy and the wider industry,” said Andrew Brawley, NMIS Research and Design Engineer. “We have a team dedicated to helping SMEs in their route to innovation and exploitation of new goods and services in response to industry needs – and this ROCIO project is a prime example.

“We hope this will be the beginning of a long-trusted relationship with the team at ROCIO as this new exploration showcases the endless possibilities available.”

ROCIO classic wooden handbag. Photo via NMIS.

3D printing at Fashion Paris Week

Several 3D printed garments and accessories have made their debut on the Paris Fashion Week catwalk in recent years, showcasing innovative uses of the technology to provide greater creative freedom and demonstrate more sustainable manufacturing techniques for the fashion industry.

One of 3D printing’s early appearances at Paris Fashion Week occurred in 2015, when a partially 3D printed suit by designer Karl Lagerfeld took to the runway to showcase a “21st century version” of an iconic 20th century jacket. 

Having long experimented with 3D printing and digital manufacturing techniques in haute couture clothing design, Dutch fashion designer Iris van Herpen has also had her fair share of 3D printed garments grace the catwalk of Paris Fashion Week. In 2015, she fabricated a dress onto Game of Thrones actress Gwendoline Christie in real-time using a combination of 3D printing, CNC machining and digital manufacturing techniques, and a few years later introduced her 21-strong 3D printed Spring/Summer 2018 collection to the runway.

Most recently, at Paris Fashion Week 2019, van Herpen debuted a sculptural couture face jewelry collection, named “Cellchemy”, that was 3D printed in partnership with the Delft University of Technology (TU Delft).

The signature leather-coated ROCIO bag with its 3D printed prototype. Photo via NMIS.

Reinventing the ROCIO handbag

Having been seen worn on the arms of celebrity models and actresses like Irina Shayk, Kate Upon and Susan Sarandon, ROCIO’s luxury decorative handbags are traditionally sculpted from harvested acacia wood via a 19-stage process.

Eager to explore new, more sustainable ways of manufacturing its handbags, ROCIO embarked upon a research project with NMIS to combine its own craftsmanship with the center’s technological capabilities. The project focused on developing the inner structure of the bag that could be used as the basis for luxury fabric coverings. 

ROCIO chose to explore 3D printing due to the technology’s ability to scale up operations to meet customer demand, while simultaneously providing greater creative freedom within its design process. In particular, the firm wished to investigate different materials and design constructs not possible via its existing manufacturing methods. 

As part of the project, the partners produced a 3D printed prototype which was then used by Spanish fashion business school Atelier to create a final full structured leather version of ROCIO’s handbag. Thanks to the 3D printing-powered design process, the reinvented structure captured the same structured art form of the brand’s wooden handbags, enabling it to retain its signature aesthetic characteristics and silhouette. 

“We are really taken aback by the results,” said Hamish Menzies, ROCIO Creative Director. “We’re at the heart of sustainable fashion and take pride in each accessory being a uniquely creative masterpiece. The pieces produced are works of art and this unique leather handbag concept delivers outstanding beauty in a structured art form which I believe pushes the boundaries of design.”

The reinvented leather handbag will make its debut on the catwalk of this year’s Paris Fashion Week, and will be the latest creation featuring 3D printing to be showcased on the global stage to the fashion industry.

“For us, exploring the use of a 3D printed prototype is more cost, time, and material efficient in the long term,” said Menzies. “Through using this technology, we are one step closer to improving our endeavors to be even more sustainable, whilst unlocking and embracing the future capabilities of our industry.”

Iterations of the 3D printing design process at NMIS. Photo via NMIS.

3D printing is fashionable

Aside from Paris Fashion Week, 3D printing has received attention from numerous designers and brands looking to harness the technology’s benefits in terms of creative design, material efficiency, and customization.  

Alongside van Herpen, fashion designer and researcher Mingjing Lin has been one of those at the forefront of exploring the use of additive manufacturing within fashion and textile design, having previously worked with SLS 3D printing firm Sinterit to create novel garments for a Beijing Opera performance.

Elsewhere, Italian designer Chiara Giusti has also leveraged 3D printing to produce her own 3D printed clothing line TECHNĒ, while accessory manufacturer Eddy Ricami has used Voxel8’s ActiveLab 3D printing technology to produce unique functional design embellishments to its footwear and apparel products. 

Last September, industrial 3D printer manufacturer Stratasys unveiled two new collections with fashion designers Ganit Goldstein and Julia Koerner as part of a project to optimize its direct-to-textile PolyJet technology. The company first showcased its ability to 3D print directly onto fabric at New York Fashion Week 2019, through a collection with fellow fashion designers threeASFOUR and Travis Fitch.  

Japanese-style kimono produced by Ganit Goldstein using direct-to-textile multi-color 3D printing. Image via Stratasys.

Subscribe to the 3D Printing Industry newsletter for the latest news in additive manufacturing. You can also stay connected by following us on Twitter and liking us on Facebook.

Looking for a career in additive manufacturing? Visit 3D Printing Jobs for a selection of roles in the industry.

Subscribe to our YouTube channel for the latest 3D printing video shorts, reviews and webinar replays.

Featured image shows ROCIO classic wooden handbag. Photo via NMIS.

Tags Andrew Brawley Cellchemy Chiara Giusti Delft University of Technology Eddy Ricami Ganit Goldstein Gwendoline Christie Hamish Menzies Irina Shayk Iris Van Herpen Julia Koerner Karl Lagerfeld Kate Upton Mingjing Lin National Manufacturing Institute Scotland NMIS Paris Fashion Week Paris Fashion Week 2019 Paris Fashion Week 2022 ROCIO Sinterit Stratasys Susan Sarandon threeasfour travis fitch tu delft Voxel8

Hayley Everett

Hayley is a Technology Journalist for 3DPI and has a background in B2B publications spanning manufacturing, tools and cycling. Writing news and features, she holds a keen interest in emerging technologies which are impacting the world we live in.

3D printed at Paris Fashion Week 2022 with the new ROCIO bag

3D printing will return to the Paris Fashion Week runway this year in the form of an updated ROCIO signature bag.

The bag was created as part of a research project between ROCIO, the Scottish luxury sustainable fashion brand, and the National Manufacturing Institute of Scotland (NMIS) to explore more sustainable technologies for the brand's bags.

“NMIS' primary goal is to engage with and support small and medium-sized enterprises to contribute to a positive impact on the local economy and the industry as a whole,” said Andrew Brawley, NMIS research engineer and designer. “We have a team that helps small and medium enterprises on their journey to innovate and use new products and services in line with the needs of the industry, and this ROCIO project is a prime example.

"WE HOPE THIS WILL BE THE BEGINNING OF A LONG TERM TRUST WITH THE ROCIO TEAM AS THIS NEW RESEARCH REVEALS UNLIMITED POSSIBILITIES."

Several 3D printed apparel and accessories have made their debut on the Paris Fashion Week runway in recent years, showcasing innovative ways to use technology, allowing greater creative freedom and demonstrating more sustainable production methods for the fashion industry.

One of the first appearances of 3D printing at Paris Fashion Week came in 2015, when a partially 3D printed suit by designer Karl Lagerfeld took to the runway to showcase a "21st century version" of the iconic 20th century jacket.

Long experimenting with 3D printing and digital manufacturing techniques in haute couture design, Dutch fashion designer Iris van Herpen also showed her share of 3D printed garments on the Paris Fashion Week catwalk. In 2015, she made a dress for Game of Thrones actress Gwendolyn Christie in real time using a combination of 3D printing, CNC machining and digital manufacturing techniques, and a few years later presented her 3D printed Spring/Summer 2018 collection, consisting of 21 items.

Most recently, at Paris Fashion Week 2019, van Herpen unveiled a haute couture sculpted face jewelry collection called "Cellchemy", which was 3D printed in collaboration with the Delft University of Technology (TU Delft).

Worn by famous models and actresses such as Irina Shayk, Kate Apon and Susan Sarandon, ROCIO luxury decorative bags are traditionally made from harvested acacia wood using 19-step process.

In an effort to explore new, more sustainable ways to manufacture its bags, ROCIO embarked on a research project with NMIS to combine its own craftsmanship with the center's technological capabilities. The project aimed to develop an internal structure of the bag that could be used as a base for luxurious fabric coverings.

ROCIO chose to explore 3D printing because of the technology's ability to scale operations to meet customer needs while allowing greater creative freedom in the design process. In particular, the firm wanted to explore different materials and designs that were not possible with current manufacturing methods.

As part of the project, the partners created a 3D printed prototype, which was then used by Spanish fashion business school Atelier to create the final fully structured leather version of the ROCIO bag. Through a 3D printed design process, the newly reinvented structure embodied the same structured art form as the brand's wooden bags, allowing it to maintain its signature aesthetic and silhouette.

"We're really blown away by the results," said Hamish Menzies, Creative Director of ROCIO. “We are at the center of sustainable fashion and pride ourselves on making every accessory a unique creative masterpiece. The pieces produced are works of art and this unique leather bag concept delivers outstanding beauty in a structured art form that I believe pushes the boundaries of design.”

The updated leather bag will make its debut on the catwalk of this year's Paris Fashion Week and will be the latest 3D printed creation to be presented on the global fashion scene.

“For us, learning to use a 3D printed prototype is more cost-, time- and material-efficient in the long run,” said Menzies. “Using this technology, we are one step closer to improving our efforts to become even more sustainable while unlocking and leveraging the future opportunities of our industry.”

In addition to Paris Fashion Week, 3D printing has attracted the attention of many designers and brands looking to take advantage of the technology in terms of creative design, material efficiency and personalization.

Along with van Herpen, fashion designer and researcher Mingjing Ling was one of those at the forefront of exploring the use of additive manufacturing in fashion and textile design. He previously worked with SLS 3D printing firm Sinterit to create new garments for the Beijing Opera performance.

Elsewhere, Italian designer Chiara Giusti has also used 3D printing to create her own line of 3D printed clothing, TECHNĒ, and accessories maker Eddy Ricami has used Voxel8 ActiveLab 3D printing technology to create unique functional designer embellishments for his shoes and clothing.

Last September, industrial 3D printer manufacturer Stratasys, together with fashion designers Ganit Goldstein and Julia Koerner, introduced two new collections as part of a project to optimize PolyJet textile printing technology. The company first demonstrated its ability to 3D print directly onto fabric at New York Fashion Week 2019.year in a collection with fellow fashion designers threeASFOUR and Travis Fitch.

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