3D object printing

Cults, the 3D printing platform

Welcome to Cults, the world’s leading independent website for 3D printer files. Discover and download the best 3D models for all your 3D printing & DIY projects.

Cults is a digital marketplace for 3D printing and design. Use our 3D model library to discover everything you can do with a 3D printer (FDM, SLA, DLP, SLS) event with CNC machining and laser cutting. You don’t know how to make a 3D file but you want to 3D print objects? Cults is for you! Browse our different categories and download the best 3D printer models for free, open-source or paid mode. The formats you can download are in STL, OBJ, 3MF, CAD, STEP, SCAD or DXF, DWG, SVG format, they are all 3D printable guaranteed or CNC compatible.

We are connecting 3D print files makers with people who want to use their 3D printer. Our 3D model repository acts as a real source of inspiration since the best designers share their best STL files daily to offer you their latest inventions!

On Cults you can also find a 3D printer nearby, get voucher codes to buy cheap 3D printers or filaments at best prices and also a whole series of 3D printing contests. Cults is a joyful community that brings together all 3D printing fans to dialogue and create together.

Commission system

You are a designer and you want to sell your 3D models optimized for 3D printing? Thanks to Cults you can earn money with your files STL, OBJ, CAD, 3MF, etc. ! For each download, you will receive 80% of the net selling price (excluding VAT) via PayPal. Cults keeps 20% of commission which is used to finance bank fees (about 5%) and then all the costs related to the technical maintenance of the platform: hosting, bandwidth, accounting, email communications, translations, etc. There is no subscription system or fixed fee to pay. You sell, you win!

If you are still hesitating to share your models on Cults, feel free to read this article Why publish my designs on Cults? List of advantages and benefits to get an idea.

• Designers 80%
• Cults 15%
• Banking fees 5%

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Printing 3D Objects in Photoshop

User's Guide Cancel

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Last update Dec 13, 2021 08:23:10 PM GMT

1. Photoshop
User Guide
2. Introduction to Photoshop
   1. Dream about it. Do it.
   2. What's New in Photoshop
   3. Editing the first photo
   4. Create documents
   5. Photoshop | FAQ
   6. Photoshop
   system requirements
   7. Transferring presets, operations and settings
   8. Introduction to Photoshop
3. Photoshop and other Adobe products and services
   1. Working with Illustrator artwork in Photoshop
   2. Working with Photoshop files in InDesign
      
   3. Substance 3D Materials for Photoshop
   4. Photoshop and Adobe Stock
   5. Working with the built-in Capture extension in Photoshop
   6. Creative Cloud Libraries
   7. Creative Cloud Libraries in Photoshop
   8. Working in Photoshop using the Touch Bar
   9. Net and guides
   10. Create transactions
   11. Cancellation and transaction history
4. Photoshop on iPad
   1. Photoshop on iPad | General questions
   2. Introduction to the working environment
   3. System requirements | Photoshop on iPad
   4. Create, open and export documents
   5. Adding photos
   6. Working with layers
   7. Drawing and painting with brushes
   8. Selecting areas and adding masks
   9. Retouch compositions
   10. Working with Adjustment Layers
   11. Adjusting the key of a composition using the Curves layer
   12. Applying transform operations
   13. Trim and rotate compositions
   14. Rotate, pan, zoom and restore canvas
   15. Working with text layers
   16. Working with Photoshop and Lightroom
   17. Getting missing fonts in Photoshop on iPad
   18. Japanese text in Photoshop on iPad
   19. Application parameter management
   20. Touch shortcuts and gestures
   21. Key combinations
   22. Image resizing
   23. Live stream your creative process in Photoshop on iPad
   24. Fix imperfections with Healing Brush
   25. Creating brushes in Capture and using them in Photoshop
   26. Working with Camera Raw files
   27. Creating and using smart objects
   28. Adjusting the exposure of images with the Dodge and Burn tools
5. Photoshop Web Application Beta
   1. Frequently Asked Questions | Photoshop Web App Beta
   2. Working environment overview
   3. System requirements | Photoshop 9 Web App Beta0010
   4. Keyboard shortcuts | Photoshop Web Application Beta
   5. Supported file formats | Photoshop Web Application Beta
   6. Opening and working with cloud documents
   7. Collaboration with stakeholders
   8. Limited editing options for cloud documents
6. Cloud Documents
   1. Photoshop Cloud Documents | Frequently Asked Questions
   2. Photoshop Cloud Documents | Workflow Questions
   3. Work with and manage cloud documents in Photoshop
   4. Cloud storage update for Photoshop
   5. Unable to create or save cloud document
   6. Troubleshooting Photoshop cloud documents
   7. Collection of cloud document synchronization logs
   8. Sharing and editing cloud documents
   9. File sharing and commenting in the application
7. Working environment
   1. Working environment basics
   2. Learn faster with the What's New panel in Photoshop
   3. Create documents
   4. Working in Photoshop using the Touch Bar
   5. Tool gallery
   6. Performance settings
   7. Using tools
   8. Touch gestures
   9. Touch gestures and customizable workspaces
   10. Technology overview versions
   11. Metadata and comments
   12. Default key combinations
   13. Touch gestures and customizable workspaces
   14. Putting Photoshop images into other applications
   15. Installations
   16. Default key combinations
   17. Rulers
   18. Show or hide non-printing auxiliaries
   19. Specifying columns for the image
   20. Cancellation and transaction history
   21. Panels and menus
   22. File storage
   23. Positioning of elements with referencing
   24. Positioning with the ruler tool
   25. Setting sets
   26. Customizing keyboard shortcuts
   27. Net and guides
8. Web, screen and application content development
   1. Photoshop for design
   2. Artboards
   3. View on device
   4. Copy CSS from layers
   5. Splitting web pages into fragments
   6. HTML options for snippets
   7. Changing the arrangement of fragments
   8. Working with web graphics
   9. Create web photo galleries
9. Understanding images and working with color
   1. Resizing images
   2. Working with raster and vector images
   3. Image size and resolution
   4. Importing images from cameras and scanners
   5. Creating, opening and importing images
   6. Image viewer
   7. "Invalid JPEG marker" error | Opening images
   8. Viewing multiple images
   9. Customize color palettes and color swatches
   10. HDR images
   11. Image color matching
   12. Converting between color modes
   13. Color modes
   14. Erase sub-images
   15. Blend Modes
   16. Choice of colors
   17. Making changes to indexed color tables
   18. Image information
   19. Distortion filters not available
   20. Color details
   21. Color and monochrome corrections with channels
   22. Selecting colors in the Color and Swatches panels
   23. Sample
   24. Color mode (or picture mode)
   25. Shade
   26. Add color mode change to operation
   27. Add swatches from HTML CSS and SVG files
   28. Bit depth and settings
10. Layers
    1. Understanding Layers
    2. Reversible editing
    3. Create and manage layers and groups
    4. Selecting, grouping and linking layers
    5. Putting images into frames
    6. Opacity and layering
    7. Layer masks
    8. Application of smart filters
    9. Layer compositions
    10. Move, arrange and lock layers
    11. Layer masking with vector masks
    12. Manage layers and groups
    13. Effects and Layer Styles
    14. Editing layer masks
    15. Extract resources
    16. Display layers with clipping masks
    17. Generation of graphic resources from layers
    18. Working with Smart Objects
    19. Blend Modes
    20. Combining several fragments into one image
    21. Combining images with Auto Layer
    22. Alignment and distribution of layers
    23. Copy CSS from layers
    24. Load selections based on layer boundaries or layer masks
    25. See-through to show the contents of other layers
    26. Layer
    27. Mixing
    28. Composite images
    29. Background
11. Selections
    1. Select and Mask workspace
    2. Quick area selection
    3. Getting Started with Selections
    4. Selecting with the Marquee Toolbox
    5. Selection with the Lasso tools
    6. Selecting a color range in the image
    7. Pixel highlight setting
    8. Convert between contours and selection boundaries
    9. Channel Basics
    10. Moving, copying and deleting selected pixels
    11. Creating a temporary quick mask
    12. Save selections and alpha channel masks
    13. Selecting focus areas in an image
    14. Duplication, splitting and merging of channels
    15. Channel calculation
    16. Extraction
    17. Bounding box
12. Image corrections
    1. Perspective distortion
    2. Blur reduction due to camera movement
    3. Healing Brush Tool Examples
    4. Export color lookup tables
    5. Image sharpening and blurring
    6. Introduction to color grading
    7. Applying the Brightness/Contrast setting
    8. Shadow and Highlight Detail Correction
    9. "Levels" correction
    10. Hue and saturation correction
    11. Juiciness correction
    12. Adjusting the color saturation in image areas
    13. Quick tone correction
    14. Applying special color effects to images
    15. Image enhancement with color balance correction
    16. HDR images
    17. View histograms and pixel values ​​
    18. Image color matching
    19. Crop and straighten photographs
    20. Converting a color image to black and white
    21. Adjustment and fill layers
    22. Curves correction
    23. Blend Modes
    24. Target Imaging for Press
    25. Color and tone correction with Levels and Curves eyedroppers
    26. HDR Exposure and Toning Compensation
    27. Filter
    28. Blur
    29. Lighten or darken image areas
    30. Selective color correction
    31. Changing object colors
13. Adobe Camera Raw
    1. Camera Raw
    system requirements
    2. What's New in Camera Raw
    3. Introduction to Camera Raw
    4. Creating panoramas
    5. Supported lenses
    6. Camera Raw 9 Vignetting, Grain, and Haze Removal0010
    7. Default key combinations
    8. Automatic perspective correction in Camera Raw
    9. Reversible editing in Camera Raw
    10. Camera Raw Radial Filter Tool
    11. Manage Camera Raw Settings
    12. Processing, saving and opening images in Camera Raw
    13. Improving Images with Camera Raw's Improved Spot Remover
    14. Rotating, cropping and modifying images
    15. Camera Raw color correction
    16. Function overview | Adobe Camera Raw | Issues for 2018
    17. Overview of new features
    18. Processing versions in Camera Raw
    19. Making local adjustments in Camera Raw
14. Fixing and restoring images
    1. Removing objects from photos using Content-Aware Fill
    2. Content-aware patching and relocation
    3. Retouching and fixing photos
    4. Image Distortion and Noise Correction
    5. Basic troubleshooting steps to solve most problems
15. Image transformation
    1. Object transformation
    2. Crop, rotate and canvas adjustment
    3. Crop and straighten photographs
    4. Creating and editing panoramic images
    5. Deforming images, shapes and contours
    6. Perspective
    7. Using the Liquify filter
    8. Content-aware scale
    9. Transforming images, shapes and paths
    10. Deformation
    11. Transformation
    12. Panorama
16. Drawing and painting
    1. Drawing symmetrical ornaments
    2. Options for drawing a rectangle and changing the stroke
    3. Drawing details
    4. Drawing and editing shapes
    5. Paint tools
    6. Creating and modifying brushes
    7. Blend Modes
    8. Adding color to contours
    9. Edit contours
    10. Painting with mix brush
    11. Brush Presets
    12. Gradients
    13. Gradient interpolation
    14. Fill and stroke selections, layers, and paths
    15. Drawing with the pen tool group
    16. Making patterns
    17. Creating a pattern with the Pattern Builder filter
    18. Loop control
    19. Managing pattern libraries and presets
    20. Drawing with pen tablet
    21. Creating textured brushes
    22. Adding dynamic elements to brushes
    23. Gradient
    24. Draw stylized strokes with the Artistic Archive Brush
    25. Drawing with pattern
    26. Synchronizing presets across multiple devices
17. Text
    1. Adding and editing text
       
    2. Universal text editor
    3. Working with OpenType SVG Fonts
    4. Character formatting
    5. Paragraph formatting
    6. Creating text effects
    7. Text editing
    8. Leading and letter spacing
    9. Font for Arabic and Hebrew
    10. Fonts
    11. Troubleshooting fonts
    12. Asian text
    13. Create text
    14. Text Engine error when using Photoshop's Type tool | Windows 8
18. Video and animation
    1. Video editing in Photoshop
    2. Editing video and animation layers
    3. Introduction to video and animation
    4. Video and animation preview
    5. Drawing frames in video layers
    6. Import video files and image sequences
    7. Create frame animations
    8. Creative Cloud 3D Animation (Preview)
    9. Create timeline animations
    10. Creating images for videos
19. Filters and effects
    1. Using the Liquify filter
    2. Using Blur Gallery group effects
    3. Filter basics
    4. Filter effects guide
    5. Adding lighting effects
    6. Using the Adaptive Wide Angle filter
    7. Oil Paint Filter
    8. Effects and Layer Styles
    9. Application of specific filters
    10. Image area feathering
20. Saving and exporting
    1. Saving files in Photoshop
       
    2. Export files to Photoshop
    3. Supported file formats
       
    4. Saving files in other graphic formats
    5. Moving projects between Photoshop and Illustrator
    6. Saving and exporting video and animation
    7. Saving PDF files
    8. Digimarc copyright protection
21. Printing
    1. Printing 3D objects
    2. Printing with Photoshop
    3. Printing and color management
    4. Checklists and PDF presentations
    5. Print photos in a new image layout
    6. Spot color printing
    7. Duplexes
    8. Printing images on a printing press
    9. Photoshop Color Enhancement
    10. Printing troubleshooting | Photoshop
22. Automation
    1. Create activities
    2. Creation of data-driven images
    3. Scenarios
    4. File batch processing
    5. Operation playback and management
    6. Adding conditional operations
    7. About actions and the Actions panel
    8. Recording tools in operations
    9. Add color mode change to operation
    10. Photoshop UI Development Kit for Plugins and Scripts
23. Color Management
    1. Understanding Color Management
    2. Accurate color assurance
    3. Color settings
    4. Working with color profiles
    5. Color management of documents for viewing on the web
    6. Color management for printing documents
    7. Color management of imported images
    8. Perform proofing
24. Content authenticity
    1. Learn more about content credentials
    2. Identity and origin of NFT tokens
    3. Connecting accounts for creative attribution
25. 3D objects and technical images
    1. 3D in Photoshop | Common questions about deprecated 3D features
    2. Creative Cloud 3D Animation (Preview)
    3. Printing 3D objects
    4. 3D drawing
    5. 3D Panel Enhancement | Photoshop
    6. 3D Concepts and Tools
    7. Rendering and saving 3D objects
    8. Creating 3D objects and animations
    9. Image stacks
    10. 3D graphics workflow
    11. Measurements
    12. DICOM files
    13. Photoshop and MATLAB
    14. Image object count
    15. Combining and transforming 3D objects
    16. Editing 3D textures
    17. HDR Exposure and Toning Compensation
    18. 3D panel settings

Photoshop allows you to print any compatible 3D model without worrying about the limitations of a 3D printer. When preparing to print, Photoshop automatically renders 3D models impenetrable. Photoshop also generates the necessary support structures—platforms and bases—to help you achieve successful 3D printing results.

1. Select the menu item Window > Workspace > 3D to switch to 3D mode.
2. Open the 3D model in Photoshop. If necessary, resize the 3D model while opening the file.
3. Select menu item 3D > 3D Print Settings.

4. In the 3D Printing Preferences panel, choose whether to use a printer connected to your computer via USB (local printer) or online 3D printing services such as Shapeways.com or Sculpteo.

You can now print 3D models as 3MF (3D Manufacturing Format) files. When specifying 3D printing options, select 9 for option0844 Print to is Local and Printer is 3MF File. When you send a 3D object to print, Photoshop creates a 3MF file. On Windows computers, Photoshop also launches the Microsoft 3D Builder application to further process the 3MF file.

To update the list of supported printers or online profiles, select Get Latest Printers from the Send to Print To pop-up menu.

5. Select a local printer or Shapeways.com print profile.

View estimated prices for printing 3D models using available Shapeways.com profiles by selecting Printer > Estimated Price.

6. Select the unit of measure for print volume from inches, centimeters, millimeters, or pixels. This unit will serve to measure the dimensions of the volume of the printer as well as the dimensions of the printing plate.

A. 3D model B. Printing plate C. Printer volume overlay

7. Select the 3D Printing Detail Level—Low, Medium, or Fine. The time it takes to print a 3D object depends on the level of detail selected.
8. If you do not want to see the bounds of the 3D model's print volume, clear the Show Printer Volume Overlay check box.

9. Set the Scene Volume options to the appropriate size for the 3D printed object. When you change one value (X, Y, or Z), the other two values ​​are scaled proportionally. When resizing the Stage Volume, notice that the print plate under the 3D model resizes accordingly.

You can scroll through the Scene Volume settings by clicking the size label (X, Y, or Z) and dragging the cursor left or right. By holding down the Shift key, you can scroll through the values ​​faster.

10. Select Scale by printer volume if you want to automatically resize the 3D model so that it takes up the entire available printer volume on the selected printer.
11. If the 3D model includes normal maps, bump maps, or transparency maps, you can ignore these types of maps when printing the model. Notice how the 3D model changes in real time as you change the Surface Detail settings.
12. Optionally, you can exclude the support structures of the 3D object (platforms and bases) from printing. Use this option with caution as printing a 3D model without the necessary support structures may produce unsatisfactory results.
13. If your printer supports multiple materials, select the material you want to use to print this 3D object.
    

You can enable an experimental feature that allows you to print continuous tones with your MakerBot Replicator 2x 3D printer.

Requirement: Enable experimental Photoshop features

Experimental features must be enabled in Photoshop before using multitone printing:

1. Select Preferences > Experimental Features.
2. Select the Enable multitone printing check box.
3. Click OK.
4. Restart Photoshop.

Experimental features not yet fully tested. They should be used with caution.

Choose a multi-tone surface material

1. Select the MakerBot Replicator 2x printer in the 3D Printing Settings panel.
2. In the Material field, select Multitone Surface. If you don't see this option, make sure the experimental Multitone 3D Printing feature is enabled.

3. Set other parameters according to the generated 3D model.
4. To view and print a 3D object, select 3D > 3D Print.

After setting the 3D printing options, follow these steps.

1. Click the Start Print icon () or select the menu item 3D > 3D Print. Photoshop will combine the 3D elements of the scene and prepare it for the printing process.
   
2. If you choose to print with a Shapeways.com profile, Photoshop will display a message that the actual print cost may differ from the estimated cost displayed. Click OK.
3. In the preview window that opens, you can use the 3D camera tools to rotate, scale, or move the 3D object.

   Rotate the 3D camera.

   3D camera rotation.

   Move the 3D camera.

   3D camera slide.

   Return to the home position of the 3D camera.

4. If necessary, select the Show restoration check box. Photoshop displays various restoration colors such as Initial Mesh, Thickened Walls, and Hole Closed.

5. You can also turn on Ray Tracing Preview. Viewing ray tracing allows you to more accurately reproduce the printed material.

6. If you want to export the 3D printing settings to an STL file, click the Export button and save the file to the desired folder on your computer. This STL file can be sent to a network service server or moved to an SD card for printing with your own printer.
7. View a summary of the 3D print object and click the Print button.

You can cancel the current 3D printing process using the menu item 3D > Cancel 3D printing.

Photoshop provides interactive step-by-step utilities that you can use to set up, calibrate, and maintain your 3D printer. These utilities can only be used when the 3D printer is turned on and connected to a computer.

1. Select the menu item 3D > 3D Printer Utilities.
2. Select the utilities you want to run.
   

Print plate calibration

Helps in leveling the printing plate. This utility includes the following general steps:

• Requires you to remove all residual print materials from the 3D printer.
  
• Initializes the print head.
• Allows you to adjust the amount of gap between the platen and the printhead at nine nozzle positions.

You can use this utility in wizard mode or manual mode.

Download Thread

Helps load filament into a Fused Deposition Modeling (FDM) 3D printer. To facilitate filament loading, Photoshop starts the head heating process and the filament loading mechanism.

Remove thread

Helps remove the filament from the FDM 3D printer. To facilitate the removal of the filament, Photoshop starts the head heating process and the filament loading mechanism.

Replace thread

Helps to replace the old filament in the FDM 3D printer with a new one. To make changing filament easier, Photoshop starts the head heating process and the filament loading mechanism.

3. Follow the instructions on the screen.

Sometimes you may want to print multiple instances of an object on the same panel. Do the following.

1. Select the required objects in the 3D panel.
2. Select 3D > Pack Objects on Ground Plane.
3. Start printing objects.

Photoshop currently supports the following 3D printers:

• MakerBot Replicator 2
• MakerBot Replicator 2x
• ZCorp Full Color
• Mcor Iris
• MakerBot Replicator 5th Generation
  

Photoshop also supports several Shapeways. com and Sculpteo profiles.

The MakerBot Replicator 5th Generation Printer Profile does not yet support USB direct printing. You can export files to a USB drive and print them to a local printer.

Yes. Before printing, you can set a cross section to cut off part of the 3D model. Follow these general steps.

1. Select the menu item Window > Workspace > 3D to switch to 3D mode.
2. Open the 3D object you want to print.
3. Select Scene from the 3D panel.
4. On the Properties panel, select Cross Section.
5. Specify the cross section parameters in the Properties panel.
6. Select the menu item 3D > Apply Cross Section to Scene.
7. Print the 3D scene.

The desired cross section must be dried before printing.

Yes. Follow these general steps.

1. Select a material in the Stage panel.
2. In the Properties panel, click the folder icon () next to Emboss/Transparency/Normals and load the texture. You can also specify a new texture to apply to the 3D model.
3. When specifying a new texture, save this texture. The texture is applied to the 3D model as a bump map or transparency.
4. Print a 3D model.

If your 3D printer has two heads, you can print 3D models in two colors. Pop-up menus for additional heads available are displayed in the Print Properties panel. In the 3D workspace and in the 3D Print Preview window, the model appears in two colors.

From a printing point of view, each layer of a 3D model is treated as a separate 3D object. You can optionally merge two or more layers (3D > Merge 3D Layers).

Related topics

• How to print a 3D object in Photoshop
• 3D painting
• 3D panel enhancements | Photoshop
• Photoshop 3D Documentation

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Account management

3D friend of great objects.

Regardless of whether you want to enlarge your model or bring it to the proportions of 1: 1 in full size, you can get stuck with a serious physical problem: the size of a large camera, which you have, is insufficient.

Don't get lost, even if you're building large-scale projects, you can go beyond the help of a standard tabletop printer. A simple method, in such a way that you edit your models, draw and edit them, make great models with accessories for others on a large number of 3D printers.

If you want to be your deputy and just joke around with a bigger 3D printer, then you know the stench. Ale їх or else it is not enough, but tse vzagalі testі zrazki. The most widely used printers can expand cameras 60 by 60 by 60 centimeters. So, it’s rich, paired with standard tables of 20 * 20 or 30 * 30 centimeters, but not less than that, you can get enough, so you need a meter copy of the Formula 1 car, for example.

So, how to inflict a great object on a great 3D printer? Time management has the same understanding of "drag the elephant. " If the task is great, it is so unreasonable how to step up, to divide into a dekilka of more other tasks, as simple as a viskonat. So and here - and for drawing our figurative 3D-elephant, it is necessary to make sprats of crocks.

Croc 1. Shared model

Actually, if you search your favorite model on the Internet, try to know the ready-made model. A lot of designers are interested in alternative versions, so you know - more printers are not big enough.

The name of the split model is the cost of typing STL-files, ready to each other in parts. Most of these models ideally go together one by one, and the deacons are rіzhutsya on shmatochki, to help them to friend. Qi files save your time, so that you do not happen to split the files on your own.

Before speech, before STL, online acquisition, modeled as STL warehouse. Files of this type are often necessary for a rich variety of rich components. Ale, you don’t care about winning them with other great models.

It is also possible to select different programs for a sub-model. One of them is Slic3r. Open the warehouse STL in the program, press the button "Split" on the toolbar, and your warehouse STL will be divided into more files. Now you can cut the skin part according to your needs after you have decided or export the skin part from the small STL that looks like it is small, attached to the other.

Autodesk Meshmixer – just one more tool that you can hack for sub-storage STLs - everything you need to hack the Separate Shells command.

If the model you want to infringe is not available in folded form, you can split the STL file yourself. It is possible to work for the help of a general function, called a cut flat, as is available in most popular CAD programs.

If you want a simple task, change your mind so that you have cut the model strategically correctly. First, change your mind, so that your rozrіz will lighten other models and you will not need support with a friend. And in a different way, try to know such a cut area for your model, so that the seam will not be so memorable and obvious, if the model is ready.

. To ask for a bribe, you can model flanks, outlets and pits, or open in detail, so that you can help them get back, if the hour comes.

Another popular method of joining parts is to open the whole 2-millimeter one at your parts, and then insert a short piece of melted filament into it to catch the alignment before gluing.

If you need a special construction, then you can try to beat traditional locks and keys, for example, from the galuzi of woodworking. You can use other materials, such as metal shears, screws or bolts for fastening parts, especially if you need more material. It may be necessary, as you create requisites or functional details.

Krok 3. Druk

Proceed to krok, because you know Drukar, you yourself know the most. Mi tezh wrote a lot about the different aspects of 3D-druk in these articles.

Basic rules for using ABS plastic (part 1)

Basic rules for using ABS plastic (part 2): delamination

How to achieve clarity in 3D using the FDM method

The same goes for selecting materials. You yourself choose the optimal material, depending on your needs and possibilities. And we described the different powers of the filaments in the coming articles.

What is the difference between PLA, ABS and PETg?

Choice of plastic for 3D other company 3Dplast

Croc 4. Gluing

In fact, gluing can be part of the post-finishing process. That's why classical methods of post-processing are used for making details.

For example, the surface of the two ABS parts can be treated with acetone.

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